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artist interview - elena hormiga
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artist interview - elena hormiga

By Staff Writer
26 July 2014

Elena Hormiga spends her days drawing rather dream-like scenes - if your dreams involve cog-filled rainclouds, violin-playing puppets and creatures sporting oranges as hats, that is.

Elena Hormiga is a Spanish illustrator who spends her days drawing rather dream-like scenes - if your dreams involve cog-filled rainclouds, violin-playing puppets and creatures sporting oranges as hats, that is. We're quite enamoured with her quirky world, so we threw a few questions about style, illustration and past lives her way.

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What is your name and how old are you?
 My name is Elena Hormiga and I was born about 10 years ago.
Before that, I was another person with another name, but one night I suffered a kind of weird Kafkaesque metamorphosis, and the next day I woke up transformed into an ant. My name, Hormiga, means "ant" in Spanish. Now, here I am, with six legs attached to my thorax.

How did you get started with this medium? I guess illustration always took part of my life somehow. But the turning point was to realise that I wanted to make a living on it. One day I printed some business cards. They said: 'elenahormiga.es, ilustradora.' This was just the link to my portfolio, but it also means: "Elena Hormiga is an illustrator". Then it all began.

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Please describe the space where you do most of your creation – whether it's your art studio or kitchen bench! During the last few months I have been travelling a lot, forcing myself to have an itinerant studio. This means having to get used to moving with only a few things, and being able to focus on work anywhere. Now I'm back in Madrid, and I love my neighbourhood Malasaña, but I still enjoy working in parks, cafes, museums or friends' houses. I just need light and some plants or trees in view.

Is there a running theme to the work you create, or do you just make whatever comes to mind? 
I think that although the way I work is very casual and spontaneous, there is a common link in all my work, that emerges from the creative process. When I create, I usually play with surrealist techniques and this leads me to casual metaphors, double meanings, visual riddles, dreamlike scenes and lots of irony and humour.

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What makes your work unique and truly your own? Perhaps this sense of humour that I mention above. No matter if it's a children's book, a label of a bottle of wine or the cover of a book, the sense of humour is always there. It probably has to do with my way of seeing things.

Tell us a little about your creative process. When I'm creating a new illustration I like to let my mind free of thoughts. I try to keep this process as a spontaneous game, writing and doodling simple ideas in my notebook and then connecting concepts randomly. It is a fun and intuitive process.

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How has your style changed over time? I could say that I'm going towards simplicity. When you're younger you feel some need to prove your skills, and try and experiment different styles. But I think that at some point you start to feel confident in your own natural language. This is, in my case, the simplest possible. I work now with only two or three colours, and I draw simple and primitive forms, giving more importance to the metaphorical concept.

Do you think people need to understand the artist's intention to appreciate the art?
 I think sometimes people need reasons just to express their feelings about art, because otherwise they can't explain what is happening inside them. Understanding the artist's intention is a way to make sense of it, but it's not necessary if the art speaks to you directly.

Are there any other mediums that you'd like to experiment with?
 I like everything that has to do with using your hands.

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What do you doodle when you are daydreaming? 
I enjoy a lot making up crazy faces, funny masks, absurd bodies... for example, I really have fun swapping the head of an animal with the body of another. It's just a silly game but it makes me laugh.

What other budding artists do you love? 
There are many wonderful illustrators in Spain. I'm a big fan of Isidro Ferrer, Pablo Amargo, Arnal Ballester among others.

What would you be doing if you weren't making art?
 I wish I had been a musician. I can't play any musical instrument and I'm too lazy to learn, but the thing is I need music so much in my life and it makes me so happy, that I enjoy fantasising about that idea.

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Where can we see more of your work? elenahormiga.es, behance.net/elenahormiga or on Instagram @elenahormiga

 

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